Elijah, a young Black child, attends Third Avenue Church, where the two rules of Easter are “show up” and “look good.” Last year, Mother Green’s “hat the size of Saturn” earned a shoutout from Reverend White; the year before, it was Deacon Brown’s head-to-toe red getup. Hoping to be the first kid ever to earn the preacher’s Easter kudos, Elijah tries hard to find the right outfit. But nothing seems right. Mother Green and Deacon Brown tell Elijah that when laws prevented African Americans from shopping in stores, they repurposed family clothes to make new ones; knowing where “every stitch of cloth came from” made it special. Deacon Brown reminds Elijah that Easter isn’t about competition but about honoring history. Elijah goes home and gathers fabrics that hold fond memories to create his Easter suit. Jackson’s culturally rich text, which rhymes at key moments, and Boateng’s vibrant images—particularly of the textured patterned of clothing—make for a delightful and entertaining read. From character names to illustrations depicting each person with a unique physique and style, these creators’ attention to detail is notable. The backmatter explores the role of slavery and the post–Civil War era to explain why Easter ensembles have historically been so important in the Black community.