In Boston, private detective Spenser meets young Daniel Lopez, whose Guatemalan immigrant mother, Marisol, was murdered six weeks ago in Miami. “It has come to my attention, Mr. Spenser,” he says, “that a lot of my life story turned out to be a lie.” Because of a DNA test, Daniel thinks he is the unacknowledged son of Vic Hale, voice of the right-wing, anti-immigrant Boston podcast All Hale. Thought to be the next biggest podcaster after Joe Rogan, Hale hates anyone who doesn’t look like him. “King of the mouth-breathers,” says Spenser’s colleague Hawk. An “awful, awful man,” says Susan Silverman. Daniel, who is on his way to Harvard Law School, simply wants Hale to acknowledge his paternity and insists he doesn’t want money. Hale refuses. More people wind up dead, and a bigger and more complicated story develops that ends in a showdown. Spenser, of unknown first name, is the classic creation of the late Robert B. Parker. He’s tall, great-looking, and loyal to Susan, his psychologist girlfriend and always-eager sex partner. Lawyer Rita Fiore calls him “the Incredible Hunk,” but she respects that he’s spoken for. Setting the series apart is the smart dialogue that’s often good for a chuckle—though the plots are always serious, Spenser misses few opportunities to flaunt his wit. Occasionally, it grates on his enemies, and even readers may roll their eyes at his constant efforts to be funny or make arcane literary references. Reflecting on the strength he once had, he conjures Samuel Taylor Coleridge: “When I was young?—Ah, woful When!…Ah! for the change ‘twixt Now and Then…” But that’s a noir P.I. for you: tough and handsome, erudite and wiseass. Meanwhile, Hawk is not shy about poking fun at his friend and ally’s quirks. Author Lupica faithfully maintains the atmosphere and characters that Parker created.