More than a year has passed since Aurelia Lyndham assumed ownership of her Aunt Marigold’s bookshop, On the Square Books, and discovered the shop’s remarkable secret: Every night, characters from the store’s Recommended Reads table step out of the pages of the books and socialize with one another. This unique situation provided the inspiration for Aurelia’s debut novel, which was about Count Vronsky’s life after Anna Karenina; she now begins outlining a novel about art forgery. Aurelia is deeply in love with Oliver, a book editor (“Their teasing and bickering over edits to her book had morphed into something real and playful”), and she asks him to move in with her, though she wonders how she can keep the secrets of the bookshop under wraps. When she puts the novels of Charles Dickens on the Recommended Reads table, she’s particularly touched to meet Harriet from Little Dorrit. Saddened by Harriet’s solitude, Aurelia resolves to put her planned novel on hold and write a happy ending for Harriet’s story. Despite her best efforts, Aurelia struggles to write the story, frustrating Harriet. Can Aurelia find the right conclusion for the character, or will Harriet write the ending that’s best for her? In this second installment of Andersen’s Midnights on the Square series, Aurelia’s nascent career as an author is the central focus, with her attempts to write a satisfying ending for Harriet echoing her own struggle to pen a second novel. The supporting characters have a chance to shine, especially Aurelia’s boyfriend, Oliver. As Aurelia’s relationship with Oliver deepens, she meets his family, including his younger brother, Jack; although the brothers live close to each other, their relationship is strained, a dynamic that Andersen fruitfully explores throughout the novel. But the heart of the project continues to be Aurelia’s love of classic literature and the characters who make the stories come to life.